Audio technicians
Different rental companies, different rates, days that change the night before, and months with forty dates.
Who it’s for
Giornata comes out of live entertainment — concerts, conferences, events, rental companies, tours, production, rigging — and works for anybody who works by the day, by the job and by the engagement.
Who it’s for
Giornata comes out of live entertainment — concerts, conferences, events, rental companies, tours, production, rigging — and works for anybody who works by the day, by the job and by the engagement.
Different rental companies, different rates, days that change the night before, and months with forty dates.
Long builds, rehearsals, shows, night strikes and travel wedged between two dates.
Prep days at the warehouse, focus, performance, and shifts that end after midnight.
Several jobs open at once, with different clients and different money terms.
Last-minute calls, repeated days, and overtime that nobody remembers at the end of the month.
Conferences and trade fairs with short builds, many suppliers, and expenses paid up front out of pocket.
Weeks away, time zones, travel days, and stretches where the calendar is the only memory.
Shifts assigned by the co-operative, statements that arrive later, and days across several sites in the same month.
Work by the day or by the job, across different clients, under contract forms that keep changing.
Whose it is
Rental companies, productions, co-operatives and contracts all change. The record of your work does not: there is one of it, and it stays on your side.
If you recognise yourself, Giornata does the rest.
Who it is not for
It is not there to organise somebody else’s crew or to hand out calls.
It tells you what you have earned and what you still have to report. Your invoices stay where you make them today.
Work is measured in days, shifts and jobs, not in minutes you start and stop.
Who it’s for
Start logging days as they happen. When the time comes to report, the work is already there.